As 1992 drew to a close, local music authority THE CORE magazine presented Metro’s New Year’s Eve Encore, a landmark celebration held on Thursday, December 31st. The event was explicitly designed not only to welcome 1993 but to honor the venue’s roots by reuniting its celebrated “original Warehouse line up” for what was billed as “the biggest bash of the year.”
1.0 Event Concept and Context
The Metro New Year’s Eve 92/93 event was curated as more than just a party; it was positioned as the definitive year-end celebration for Adelaide’s electronic music community. In its pre-event coverage, THE CORE wished its readers “the very best for Christmas” before concluding, “see you New Year’s Eve for the party blast of the year!”, cementing the event’s must-attend status.
Promoted under the dual banners of “METRO’S N.Y.E. ENCORE” and “92 new years eve 93,” the event’s core philosophy emphasized substance over style. Promotional materials noted a commitment to the “highest standard” of sound and lighting, adding that the quality of the production “should go without saying” rather than requiring elaborate technical hype.
This sentimental yet forward-looking vision was perfectly captured in the event’s tagline:
the feelings are strong, we will treasure the memories and look to the future. relight the fire, celebrate the dance…
This ethos set the stage for an immersive night, entrusting the musical direction to a carefully selected lineup of artists tasked with bringing this vision to life.
2.0 The Musical Lineup: A Multi-Room Experience
The event’s musical programming was strategically designed around a diverse, multi-room format, offering attendees a comprehensive journey through different facets of the electronic music scene. This structure allowed for a varied and dynamic experience, with distinct sonic environments spread throughout the venue, all under the guidance of resident hosts and headline talent.
Main Room Headliners
The main room was the epicenter of the celebration, featuring the reunion of the acclaimed “original Warehouse line up.” The headline DJs tasked with launching the crowd into 1993 were three of the scene’s most celebrated figures: Groove Terminator, HMC, and Major Move. Their reunion was not merely a nostalgic act but a deliberate statement of authenticity, grounding the forward-looking celebration in the foundational sounds that had built the city’s electronic music scene.
Live Stage and Supporting Acts
Complementing the DJ sets was a significant live music component. Adelaide’s own Juice delivered a live performance on stage, accompanied by The Carrot Squad, adding a dynamic and homegrown element to the night’s festivities.
The entertainment extended into other distinct areas of the Metro, ensuring a continuous flow of music and atmosphere:
- Lush Lounge: Featuring DJ Driller.
- Conservatory Coffee Lounge: An additional atmospheric space for attendees.
Guiding the energy of the entire event were the evening’s hosts, resident DJ Armstrong and MC Scott T, who was presented in affiliation with Swerve. This comprehensive musical programming was further enhanced by other sensory experiences designed to create a fully immersive atmosphere.
3.0 Beyond the Music: A Full Sensory Celebration
The Metro NYE event was meticulously curated to be an immersive experience that extended far beyond the music. The organizers integrated elements of fashion, performance art, and unique visual components to engage all of the attendees’ senses, transforming the venue into a multi-faceted environment for celebration.
Immersive Entertainment
A variety of non-musical attractions were woven into the fabric of the night, adding layers of texture and creativity to the party:
- Fashion & Performance: A focus on playful performance art, including a “double & squeak by play” from Mitzi and Yako of Miss Gladys Sym Choon, and an additional attraction mysteriously billed as “bubble & squeak.”
- Visuals: A “live video party mix” provided a dynamic visual backdrop, synchronizing with the music to amplify the sensory experience.
This focus on creating a complete experience underscored the event’s high-concept approach, leaving attendees to focus on the final step: securing their place at the highly anticipated party.
4.0 Ticketing and Admission
Reflecting the high anticipation for the New Year’s Eve Encore, organizers emphasized that tickets were “very limited and selling fast,” advising attendees to purchase them in advance to guarantee entry. Tickets were priced at 25** for advance purchase, with the cost rising to **30 for admission at the door.
Authorized Ticket Outlets
To facilitate advance sales, tickets were made available at several key locations across Adelaide:
- Richmond Hotel
- Central Station Records
- Charitons Pool & Billiard Hall
- Miss Gladys Sym Choon
- Swerve
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